Literature in ELT: Navigating a Sea of Choices

2014_Sybil_MarcusSybil Marcus

This content first appeared on the TESOL Blog. © TESOL International Association. Reprinted with permission.

When I first started using literature in my ESL/EFL classes, I thought all I had to do was teach the stories I enjoyed reading.   But I soon found that even my favorite stories wouldn’t always work in class.  Sometimes, they lacked sufficient depth for a 2-hour lesson, they failed to engage my students, or I couldn’t find a good way to organize the discussion.

So, how do you compile a successful syllabus for a literature-based course? If you focus on short stories (as I usually do), you can find thousands of them in anthologies, in textbooks, and online.  The sheer number of options can be a challenge, which I hope to help you with in this post.

1. Group stories into themes

Connecting stories thematically is an effective way to organize your course.  As an added benefit,  it allows for class discussions and writing assignments centered on comparison and contrast.  Some umbrella topics might be:

  • Relationships: Stories dealing with relationships between parents and children, spouses, siblings, and lovers hold universal appeal.
  • Social Issues: Some of the most animated discussions in my classes have been inspired by contemporary topics including war, discrimination, gender, euthanasia, and women’s rights.  Although many of these are hot-button issues, I encourage students and teachers not to shy away from them.  Because I particularly appreciate the role of social issues in increasing cultural awareness, I’ll be devoting an entire future blog to this.
  • Stages of Life: Shakespeare wrote about the Seven Ages of Man. I’ve found that students respond well when dealing with the various stages of life: childhood, the teenage years, young adulthood, maturity, and old age.  Your students will relate directly to some of these; others will require more imagination and empathy.

2. Look for layered stories.

While many stories are fun to read, they may not have sufficient texture for a complete lesson.  I always ask myself how much I can get out of a story.  You need complexity to go beyond a discussion of plot to an analysis of theme and style.  Too frequently we underestimate our students, who are generally hungry for sophisticated material. I like to challenge them with stories that engage them intellectually and emotionally, while stretching their language level. Continue reading