D is for Discourse Analysis

Ken BeattyDr. Ken Beatty

Discourse analysis is about understanding what is not said. Consider this conversation:

Speaker 1: Do you think we could watch a movie?
Speaker 2: Ah, yeah. That’s gonna happen. Have you practiced piano?
Speaker 1: I’ll just get a snack first?
Speaker 2: Sure. We can eat it during the movie.

If you are a native speaker of English, the conversation will strike you as easy to understand and, hopefully, humorous. But that’s because you were able to recognize a series of subtle linguistic cues. These cues are typical in any conversational exchange, but also in written discussions, such as in texts and emails. It’s worth looking at eight types of discourse-analysis cues in detail and seeing how they would apply to this short conversation.

The first cue has to do with the setting, or where the speech event is located in time and space. If you’re a native speaker, you probably realize this conversation takes place at a home in the evening because practicing the piano fits into that particular schemata (mind map of associated ideas). Although people practice piano at music schools, it’s more commonly practiced at home. This is reinforced by the idea of someone asking permission to have a snack and watch a movie, which also gives a clue about the participants.

Participants in a conversation are those who take part in the speech event, and the roles they play. In the short conversation above, the act of asking for something—a snack—helps to define roles and makes it likely that the conversation is between a child and a parent. Continue reading

A is for Authenticity

Ken BeattyDr. Ken Beatty 

Since the 1970s, teachers have been arguing about authenticity in the classroom. As a TESOL professor and textbook writer, I’m often asked whether I’m in favor of authenticity. It seems a simple question, but there are several related ideas to consider: How do we define authenticity? What is a continuum of authenticity? How does authenticity relate to materials, situation, and task? and Where and how do we locate authentic materials?

Defining authenticity
Most definitions of authenticity in the classroom can be reduced to the idea of something not created for use by language learners. In general, although textbooks can contain authentic materials, they are not authentic. On the other hand, we consider a local newspaper, menu, or bus schedule as being authentic; the language is natural and generally more applicable to the needs and interests of our students. This is one of the great strengths of exposing students to authentic materials: Outside the classroom, they continue learning as they encounter additional authentic materials.

A continuum of authenticity
The opposite of authentic materials are those that are inauthentic. Elementary school teachers and teachers of beginners use inauthentic materials such as simplified menus with purely descriptive names (hamburger) rather than confusing brand names (Big Mac®, Whopper®). Other aspects of the menu are similarly set in plain speech to avoid confusion.

But between authentic and inauthentic materials are constructed materials. In making constructed materials, teachers and materials developers usually start with authentic materials but simplify vocabulary, grammar, and even typefaces to make them more pertinent and accessible. In other cases, materials are constructed from scratch, based on different genres. As an experiment, I asked 56 experienced language teachers to review three passages and decide which were authentic and which were constructed. Only three teachers identified all three correctly (Beatty, 2015). If most teachers can’t tell the difference, well-written constructed materials are probably an acceptable alternative. Continue reading