Maximum Benefit, Minimal Prep:
A Quick Song-Based Lesson

2013_Heyer_SandraSandra Heyer

Song lyrics are sometimes difficult for English language learners to comprehend; in fact, some song lyrics are difficult for even native speakers of English to comprehend! (Consider, for example, this line from a Credence Clearwater Revival song: There’s a bad moon on the rise, famously misheard as There’s a bathroom on the right.) That doesn’t mean, though, that a song can’t be a valuable learning tool in the classroom. One way to create a successful song-based lesson is to focus on an aspect of the song that is accessible to English language learners and build an activity around that feature. To do that, you start by examining a song’s lyrics to find a feature you can exploit. (For activities that target one aspect of a song, please see the archived articles in this newsletter or my website, Songs and Activities for English Language Learners.)

For the activity described here, there is no need to give a song that level of scrutiny (although, as always, you will want to make sure the language and content are appropriate for your classroom). All you need is a recording of the song and copies of its lyrics. The simplicity of this lesson, however, doesn’t mean that your role as teacher is any less important. You help students identify which new words are critical to getting the gist of the song’s meaning (and which are not), as well as which new words are worth memorizing. This activity works best if students know at least two-thirds of the words in the song.

Create a Minimal-Prep Song-Based Lesson in 4 Easy Steps:

  1. Students listen to a recording of the song without the lyrics. As they listen, they jot down about five words in the song that they are sure they know. (They do not write down words like the or and.) When the recording is finished, students volunteer their lists of words, and you write them on the board. More often than not, collectively students will come up with the song’s key words. Ask students to guess what the song is about.
  2. Students read the song’s lyrics. You clarify the meaning of new words that are critical to understanding the song, impressing on students that they do not need to understand every new word. Identify which new words are worth memorizing.
  3. Students listen to the song a second time while reading the lyrics.
  4. Students listen to the song a third time, without the lyrics, or they watch the song’s official music video online. (Preview the video first to be sure it’s appropriate for your classroom.)

Sometimes during the course of the lesson, one of the song’s features might pop out at you. You might, for example, notice that it has a chorus that is easy to sing or speak, tells a story that students could summarize, or has a topic that students could personalize with Draw-Write-Share. Then you could, if time allows, expand the lesson on the spur of the moment.

Example: A Minimal-Prep Lesson on the Song “Fight Song”
This song by Rachel Platten debuted last February and has steadily climbed the pop-music charts. Because of its popularity, clear lyrics, and upbeat theme, it is a good choice to bring into the classroom. Continue reading

Explore the New Pearson ELT eCatalog

ESL16_CAT_CVR1

IMMEDIATE – INTERACTIVE – INFORMATIVE 

These three words describe the new eCatalog from Pearson ELT. This new eCatalog has everything you would expect from a catalog, and so much more! Do you want to know how to use the catalog – click here to watch the video!

What does the fully interactive catalog mean for you?
With just a click of a button, you can:

  • View hundreds of sample units from any level.
  • Listen to podcasts and audio samples.
  • Watch product and author video clips.
  • Search by key word, author, or ISBN.
  • Read articles by Pearson authors.
  • Link to easy online ordering.
  • E-mail your ELT Specialist directly.
  • Share with colleagues by e-mail, Facebook, or Twitter.

Start exploring today! 

Back to the Future: Still More Low-Tech Activities
for a High-Tech Classroom

2013_Heyer_Sandra Sandra Heyer

This is the last article in a four-part series on activities that foster physical activity in the classroom. I titled the series “Back to the Future” because my search for activities led me back to time-tested ones I began using years, even decades ago. At first I balked at reviving them; I confess that the razzle-dazzle of the new technology had a stronger pull on me. But when I saw how enthusiastically my class responded, I had to remind myself that although the interactive activities were old hat to me, they were novel to my students, who were accustomed to a teacher-centered learning environment, one in which they rarely, if ever, got out of their seats.

I chose the activities because they might benefit our physical health, but they may have improved our psychological health as well. I think we all enjoyed periodically taking our attention off the big screen at the front of the room and instead focusing on one another. After all, that people-to-people connection, not gliding desks or a high-tech console, is what makes a class great. It’s what has always mattered—and always will.

In previous newsletters, we took a look at six activities:

  1. The Moving Line
  2. Conversation Stations
  3. Walking Dictation
  4. Find Your Match
  5. Opinion, Please
  6. Line Up According To

Below are the final two activities, Find Someone Who and The One-Question Survey. Continue reading

Teaching Short Stories

Alexandra_LoweAlexandra Lowe
ESL instructor at SUNY Westchester Community College

The following blog post was written by Alexandra Lowe and originally published by TESOL International Association on June 3, 2015. It can also be accessed through the TESOL website.

At the recent TESOL International convention in Toronto, I was privileged to attend an outstanding workshop entitled “10 Tips for Teaching Short Stories” by Sybil Marcus, an inspiring teacher from the University of California, Berkeley. Presenting excerpts from two short stories, she showed us how she uses stories to teach critical thinking skills, style, grammar, and vocabulary, and to lay the groundwork for classroom debates and writing assignments. Sybil’s approach to teaching ESL skills through short stories sounded so compelling to me that I dashed back to my own classroom as soon as the conference was over to try it out.

One of the short stories she showcased in her workshop was Daniel Lyons’ “The Birthday Cake” (.doc). The story features two immigrants—an old, embittered woman from Italy and a young single mother from the Caribbean—who find themselves locked in an unexpected conflict. The story subtly raises challenging issues of attitudes toward immigrants, single parenthood, aging, isolation, and death.

The story was an immediate hit with my high-intermediate, low-advanced students. When we discussed an issue central to the story—whether the old woman was justified in her contemptuous response to the young woman’s plea for a special favor—my students were as bitterly divided as the two protagonists themselves. Even students who were normally shy and reluctant to speak in front of the whole class launched into a passionate debate over the merits of the old woman’s behavior. And what was particularly fascinating was the discovery that the battle lines among my students were drawn in unpredictable ways—students whom I would have expected to sympathize with the plight of the young mother were surprisingly hostile to her.

One bonus of this particular short story is that it is written almost entirely in dialogue, as if it were the script for a short play for three characters (the two women, and a man who finds himself entangled in their conflict).  So, naturally, I put my students into small groups of three and asked them to practice acting out the dialogue. After giving them the opportunity to practice their lines with three different sets of partners, I asked for volunteers to act out the story in front of the whole class. It was one of the highlights of the semester, as some of my shyest students threw themselves into their roles, displaying acting skills and abilities no one would have suspected, while some of the more outspoken students were able to “ad lib” additional theatrical lines for their character. Continue reading