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Category: reading
G is for Games
“Why are they playing games and not learning something?”
Games are among the most misunderstood pedagogical strategies in the teachers’ toolbox. Parents, other teachers, and administrators can misinterpret students’ enjoyment of games as having fun at the expense of more serious and productive learning. But the opposite is often the case; the casual competitive nature of games suppresses students’ self-consciousness and helps them focus and learn more than during other classroom activities.
However, to be fair, sometimes teachers play games in the classroom without a perfect understanding of the benefits that games carry and the ways in which they can be tailored to better address student needs. In such cases, teachers may only use games as filler activities, as a way of keeping more able students busy while others catch up. Alternatively, games might only be used at the end of a class when there is extra time left.
Motivation
Because games are inherently motivating, they are useful as a reward or a break from other classroom activities. Some games add excitement, such as kinesthetic ones that require students to stand up and participate as a group. An example is Simon Says, in which students have to listen carefully and follow a leader’s directions as long as they are prefaced with the words, “Simon says (touch your nose).” If the words Simon says aren’t said by the leader, students have to remain stationary or find themselves out of the game.
The pedagogical purposes of Simon Says–type games are usually to encourage discrete listening and also to reinforce language students have already learned around actions related to identifying body parts (touch your knees), types of motion (shake your head; close your eyes), and actions (sit down; stand up). As with most games, there are opportunities to tailor the game to the target vocabulary students have recently covered. Reinforcement through a game is important because it stores the information in another part of the brain. Beyond reading, writing, listening, or speaking, the kinesthetic aspect helps make the vocabulary more memorable. Continue reading
Maximum Benefit, Minimal Prep:
A Quick Song-Based Lesson
Song lyrics are sometimes difficult for English language learners to comprehend; in fact, some song lyrics are difficult for even native speakers of English to comprehend! (Consider, for example, this line from a Credence Clearwater Revival song: There’s a bad moon on the rise, famously misheard as There’s a bathroom on the right.) That doesn’t mean, though, that a song can’t be a valuable learning tool in the classroom. One way to create a successful song-based lesson is to focus on an aspect of the song that is accessible to English language learners and build an activity around that feature. To do that, you start by examining a song’s lyrics to find a feature you can exploit. (For activities that target one aspect of a song, please see the archived articles in this newsletter or my website, Songs and Activities for English Language Learners.)
For the activity described here, there is no need to give a song that level of scrutiny (although, as always, you will want to make sure the language and content are appropriate for your classroom). All you need is a recording of the song and copies of its lyrics. The simplicity of this lesson, however, doesn’t mean that your role as teacher is any less important. You help students identify which new words are critical to getting the gist of the song’s meaning (and which are not), as well as which new words are worth memorizing. This activity works best if students know at least two-thirds of the words in the song.
Create a Minimal-Prep Song-Based Lesson in 4 Easy Steps:
- Students listen to a recording of the song without the lyrics. As they listen, they jot down about five words in the song that they are sure they know. (They do not write down words like the or and.) When the recording is finished, students volunteer their lists of words, and you write them on the board. More often than not, collectively students will come up with the song’s key words. Ask students to guess what the song is about.
- Students read the song’s lyrics. You clarify the meaning of new words that are critical to understanding the song, impressing on students that they do not need to understand every new word. Identify which new words are worth memorizing.
- Students listen to the song a second time while reading the lyrics.
- Students listen to the song a third time, without the lyrics, or they watch the song’s official music video online. (Preview the video first to be sure it’s appropriate for your classroom.)
Sometimes during the course of the lesson, one of the song’s features might pop out at you. You might, for example, notice that it has a chorus that is easy to sing or speak, tells a story that students could summarize, or has a topic that students could personalize with Draw-Write-Share. Then you could, if time allows, expand the lesson on the spur of the moment.
Example: A Minimal-Prep Lesson on the Song “Fight Song”
This song by Rachel Platten debuted last February and has steadily climbed the pop-music charts. Because of its popularity, clear lyrics, and upbeat theme, it is a good choice to bring into the classroom. Continue reading
Literature in ELT: Who’s Afraid of Literature?
This content first appeared on the TESOL Blog. © TESOL International Association. Reprinted with permission.
I admit it—I’m passionate about using literature, especially short stories, for language learning. As I result, I take every opportunity to talk about this to teachers of intermediate to advanced-level ELLs. In a nutshell, I think literature is a great teaching tool for these reasons:
- It’s an opportunity to teach language skills in an authentic context.
- It’s a chance to practice critical thinking skills.
- It introduces a diverse array of social and cross-cultural topics.
- It gives rise to energetic class discussions.
The Hemingway excerpt and exercise at the end of this blog are an indication of what you can do with even a few lines of literature. However, I first want to speak to those of you who’ve shared the following concerns with me: Continue reading
Explore the New Pearson ELT eCatalog
IMMEDIATE – INTERACTIVE – INFORMATIVE
These three words describe the new eCatalog from Pearson ELT. This new eCatalog has everything you would expect from a catalog, and so much more! Do you want to know how to use the catalog – click here to watch the video!
What does the fully interactive catalog mean for you?
With just a click of a button, you can:
- View hundreds of sample units from any level.
- Listen to podcasts and audio samples.
- Watch product and author video clips.
- Search by key word, author, or ISBN.
- Read articles by Pearson authors.
- Link to easy online ordering.
- E-mail your ELT Specialist directly.
- Share with colleagues by e-mail, Facebook, or Twitter.